By Kwame Gyekye, Kwasi Wiredu
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Additional resources for Person and community: Ghanaian philosophical studies I
As city architect he applied himself, while working on his painting, to strengthening the fortifications so that they would be secure against the Turks. ”2 The Reformation as a movement of religious renewal carried with it all the signs of the End of the World. Luther frequently referred to the fact that the Fall was to be expected in the coming year, or even in the current one. ”3 Luther was speaking of the decade since the Reichstag at Worms, at the end of which period the Alexanderschlacht had, as we know, been painted.
This is the moment of violent commotion. The moment of plotting and conspiracy. . In this, royalism serves as a subterfuge as much as antiroyalism. Both are masks for ambition and covetousness. The nation now is merely an entity dependent upon a collection of criminals and corrupt persons. In this situation only one man and a suitable moment are needed for an entirely unexpected result to emerge. If the moment comes, the man emerges. . He speaks to the people, who until this moment believe themselves all: You are nothing.
I First, we should clarify the sense of presence and achronological pungency that we have discovered in Altdorfer’s painting. Let us try to regard the picture with the eye of one of his contemporaries. For a Christian, the victory of Alexander over the Persians signifies the transition from the second to the third world empire, a sequence in which the Holy Roman Empire constitutes the fourth and last. Heavenly and cosmic forces were participants in such a battle, finding their place in Altdorfer’s painting as Sun and Moon, powers of Light and Darkness respectively attributed to the two kings, Alexander and Maximilian: the sun appears over a ship whose mast assumes the form of a cross.
Person and community: Ghanaian philosophical studies I by Kwame Gyekye, Kwasi Wiredu